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Annunciation with St. Endimius
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Annunciation_with_St._Endimius
mk156
1486
Oil on canvas transferred to wood
207x147cm
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The Vision of the Blessed Gabriele Ferretti
new16/Carlo Crivelli-825535.jpg
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The_Vision_of_the_Blessed_Gabriele_Ferretti
mk170
circa 1489
Oil and egg tempera on poplar
141x87cm
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The Dead Christ Supported by two angels
new16/Carlo Crivelli-577284.jpg
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The_Dead_Christ_Supported_by_two_angels
mk170
1473-1475
Tempera on poplar
72.4x55.2cm
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The Annunciation
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The_Annunciation
mk170
oil and egg tempera on canvas
207x146.7cm
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La Madonna della Rondine
new16/Carlo Crivelli-583789.jpg
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La_Madonna_della_Rondine
mk170
1490-1492
Oil and egg tempera on poplar
150.5x107.3cm
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Carlo_Crivelli
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
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