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Family in an Orchard
new19/Theo Van Rysselberghe-594498.jpg
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Family_in_an_Orchard
mk235
1890
Oil on canvas
115.3x163.5cm
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signac on his boat
new23/Theo Van Rysselberghe-639863.jpg
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signac_on_his_boat
mk290 1896 canvas 36x44in private collection
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Portrait of Madame Charles Maus
new23/Theo Van Rysselberghe-439497.jpg
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Portrait_of_Madame_Charles_Maus
1890(1890)
Oil on canvas
142.24 cm X 119.38 cm
cjr
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Portrait de Madame Charles Maus
new24/Theo Van Rysselberghe-945934.jpg
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Portrait_de_Madame_Charles_Maus
Date 1890(1890)
Medium Oil on canvas
Dimensions 142.24 cm X 119.38 cm
cyf
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Madame Von Bodenhausen avec son enfant Luli ,
new24/Theo Van Rysselberghe-639733.jpg
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Madame_Von_Bodenhausen_avec_son_enfant_Luli_,
ThXodoor van Rysselberghe (1862-1926): Madame Von Bodenhausen avec son enfant Luli , Oil painting, 1910
cjr
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Theo_Van_Rysselberghe
Belgian Pointillist Painter, 1862-1926
was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.
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