TRAVERSI, Gaspare

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 TRAVERSI, Gaspare Salome mit dem Haupt Johannes des Taufers oil painting artist
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     Salome mit dem Haupt Johannes des Taufers
     new24/TRAVERSI, Gaspare-939573.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Salome_mit_dem_Haupt_Johannes_des_Taufers
ca. 1760(1760) Medium Oil on canvas cyf

 TRAVERSI, Gaspare Portrat des Fra Raffaello da Lugagnano oil painting artist
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     Portrat des Fra Raffaello da Lugagnano
     new24/TRAVERSI, Gaspare-374496.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrat_des_Fra_Raffaello_da_Lugagnano
ca. 1750(1750) Medium Oil on canvas Dimensions 38 x 26 cm cyf

 TRAVERSI, Gaspare The Seduction oil painting artist
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     The Seduction
     new26/TRAVERSI, Gaspare-478477.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Seduction
circa 1752(1752) Medium oil on canvas Dimensions 35.5 X 43 in cyf

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     TRAVERSI,_Gaspare
    Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749

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