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Portrait of the Painter Jean-Baptiste Oudry
new5/PERRONNEAU, Jean-Baptiste-633772.jpg
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Portrait_of_the_Painter_Jean-Baptiste_Oudry
Oil on canvas
Mus??e du Louvre, Paris.
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Madame de Sorquainville (mk05)
new6/PERRONNEAU, Jean-Baptiste-522974.jpg
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Madame_de_Sorquainville_(mk05)
1749
Canvas 40 x 32''(101 x 81 cm)Given in 1937 R.F.1937-8
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Jean-Baptiste Oudry Painter (mk05)
new6/PERRONNEAU, Jean-Baptiste-294223.jpg
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Jean-Baptiste_Oudry_Painter_(mk05)
Canvas 51 1/2 x 41 1/4''(131 x 105 cm)Reception picture for the Academie Royale de Peinture et de Sculpture 1753 Collection of the Academie Royale INV 7158(MN)
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A Boy with a Book
new3/PERRONNEAU, Jean-Baptiste-837328.jpg
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A_Boy_with_a_Book
mk60
1740
Oil on canvas
25x20 1/2"
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A Girl with a Kitten
new16/PERRONNEAU, Jean-Baptiste-787339.jpg
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A_Girl_with_a_Kitten
mk170
1745
Pastl on paper
59.1x49.8cm
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PERRONNEAU,_Jean-Baptiste
French Rococo Era Painter, ca.1715-1783
French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,
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