MARIESCHI, Michele

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 MARIESCHI, Michele The Rialto Bridge from the Riva del Vin sg oil painting artist
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     The Rialto Bridge from the Riva del Vin sg
     MARIESCHI, Michele6.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Rialto_Bridge_from_the_Riva_del_Vin_sg
c. 1740 Oil on canvas transferred from wood, 130 x 195,5 cm The Hermitage, St. Petersburg

 MARIESCHI, Michele The Rialto Bridge in Venice (detail) ag oil painting artist
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     The Rialto Bridge in Venice (detail) ag
     MARIESCHI, Michele7.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Rialto_Bridge_in_Venice_(detail)_ag
c. 1740 Oil on canvas transferred from wood The Hermitage, St. Petersburg

 MARIESCHI, Michele The Grand Canal near the Salute sg oil painting artist
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     The Grand Canal near the Salute sg
     MARIESCHI, Michele8.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Grand_Canal_near_the_Salute_sg
1733-35 Oil on canvas, 125 x 213 cm Mus??e du Louvre, Paris

 MARIESCHI, Michele View of the Basilica della Salute (detail) r oil painting artist
 Click Image to Enlarge
     View of the Basilica della Salute (detail) r
     MARIESCHI, Michele9.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  View_of_the_Basilica_della_Salute_(detail)_r
1733-35 Oil on canvas Mus??e du Louvre, Paris

 MARIESCHI, Michele Imaginative View with Obelisk  s oil painting artist
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     Imaginative View with Obelisk s
     MARIESCHI, Michele10.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Imaginative_View_with_Obelisk__s
c. 1735 Oil on canvas, 55 x 82 cm Gallerie dell'Accademia, Venice

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     MARIESCHI,_Michele
    Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,

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