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The Madonna and Child with St John the Baptist and Mary Magdalen dfg
CIMA da Conegliano6.jpg
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The_Madonna_and_Child_with_St_John_the_Baptist_and_Mary_Magdalen_dfg
1510-15
Wood, 167 x 110 cm
Mus??e du Louvre, Paris
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Madonna and Child dfhdt
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Madonna_and_Child_dfhdt
c. 1504
Tempera on wood, 66 x 57 cm
Galleria degli Uffizi, Florence
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The Presentation of the Virgin dfgf
CIMA da Conegliano8.jpg
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The_Presentation_of_the_Virgin_dfgf
Wood
Gemäldegalerie, Dresden
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The Incredulity of St. Thomas with St. Magno Vescovo fg
CIMA da Conegliano9.jpg
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The_Incredulity_of_St._Thomas_with_St._Magno_Vescovo_fg
c. 1505
Tempera and oil on panel, 215 x 151 cm
Gallerie dell'Accademia, Venice
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St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
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St_Peter_Martyr_with_St_Nicholas_of_Bari,_St_Benedict_and_an_Angel_Musician_dfg
1504
Oil on panel, 330 x 216 cm
Pinacoteca di Brera, Milan
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CIMA_da_Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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