ALBERTINELLI Mariotto

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 ALBERTINELLI  Mariotto The Church Militant and Triumphant oil painting artist
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     The Church Militant and Triumphant
     ALBERTINELLI Mariotto6.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Church_Militant_and_Triumphant
1365-68 Fresco Cappella Spagnuolo, Santa Maria Novella, Florence

 ALBERTINELLI  Mariotto The Virgin and Child Adored by Saints Jerome and Zenobius (mk05) oil painting artist
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     The Virgin and Child Adored by Saints Jerome and Zenobius (mk05)
     new5/ALBERTINELLI Mariotto-365527.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  The_Virgin_and_Child_Adored_by_Saints_Jerome_and_Zenobius_(mk05)
1506(with Francesco Franciabigio). Canvas,731/4 x 691/4''(186 x 176 cm).From Santa Trinita in Florence 1813;acquired for the Louvre in 1814

 ALBERTINELLI  Mariotto Virgin and Child oil painting artist
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     Virgin and Child
     new24/ALBERTINELLI Mariotto-686386.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Virgin_and_Child
ca. 1512(1512) Medium panel cyf

 ALBERTINELLI  Mariotto Seascape oil painting artist
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     Seascape
     new26/ALBERTINELLI Mariotto-665593.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Seascape
1912(1912) Medium oil on canvas Dimensions 48 X 69 cm cyf

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     ALBERTINELLI__Mariotto
    Italian Early Renaissance Painter, 1474-1515 Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo's, he resolved to carry on alone. Among his many students were Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola and Giuliano Bugiardini. Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi.

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