Raimundo de Madrazo y Garreta

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 Raimundo de Madrazo y  Garreta MARQUISE D'HERVEY SAINT DENYS oil painting artist
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     MARQUISE D'HERVEY SAINT DENYS
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
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  MARQUISE_D'HERVEY_SAINT_DENYS
1885(1885) Medium oil on canvas Dimensions 129 X 85 cm cyf

 Raimundo de Madrazo y  Garreta Kostanjevica oil painting artist
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     Kostanjevica
     new26/Raimundo de Madrazo y Garreta-488733.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Kostanjevica
circa 1931(1931) Medium oil on canvas Dimensions 55.1 X 65.3 cm cyf

 Raimundo de Madrazo y  Garreta Preparing for the Costume Ball oil painting artist
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     Preparing for the Costume Ball
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INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Preparing_for_the_Costume_Ball
oil on panel Dimensions 58.4 x 40.9 cm cyf

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     Raimundo_de_Madrazo_y__Garreta
    1841-1920 Spanish Son of Federico de Madrazo y Kentz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with Leon Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jose Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently, his works are also described as representing the Parisian seraglio. American collectors paid high prices for his paintings, for example Alexander Turney Stewart bought Lady with a Parrot; Carnival Festival (1878) was purchased by L. Wolfe; and Girls at the Window (1875) was bought by J. W. Vanderbilt, the last two now being in the Metropolitan Museum of Art, New York. His portraits were better received in Spain although because of collectors such as Ramen de Errazu (d 1909), the Museo del Prado has a good number of his paintings (e.g. After the Bath).

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