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Portrait of a Young Man
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Portrait_of_a_Young_Man
Date between 1505(1505) and 1510(1510)
Medium Oil on wood
Dimensions Height: 31 cm (12.2 in). Width: 24 cm (9.4 in).
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Portrait of the Doge, Andrea Gritti
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Portrait_of_the_Doge,_Andrea_Gritti
Oil on canvas
Dimensions Height: 97.2 cm (38.3 in). Width: 79.4 cm (31.3 in).
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Portrait of a Young Man
new25/Vincenzo Catena-346983.jpg
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Portrait_of_a_Young_Man
between 1505(1505) and 1510(1510)
Medium Oil on wood
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Portrait of humanist Gian Giorgio Trissino
new25/Vincenzo Catena-575556.jpg
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Portrait_of_humanist_Gian_Giorgio_Trissino
1510(1510)
Medium Oil on canvas
Dimensions 28 3/8 x 25 inches (72.14 x 63.50 cm)
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A Warrior adoring the Infant Christ and the Virgin
new25/Vincenzo Catena-434479.jpg
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A_Warrior_adoring_the_Infant_Christ_and_the_Virgin
oil on canvas
Dimensions Height: 155.3 cm (61.1 in). Width: 263.5 cm (103.7 in).
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Vincenzo_Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
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