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Self-Portrait with a Portrait of his Wife,Margaretha van Rees,and their Daughter,Maria
new2/Adriaen van der werff-749929.jpg
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Self-Portrait_with_a_Portrait_of_his_Wife,Margaretha_van_Rees,and_their_Daughter,Maria
mk52
1699
Oil on canvas
81x65.5cm
Rijksmuseum,Amsterdam
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The Adoration of the Shepherds
new3/Adriaen van der werff-298735.jpg
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The_Adoration_of_the_Shepherds
mk67
Oil on panel
20 7/8x14 3/16in
Uffizi,Gallery
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The adoracion of the shepherds
new16/Adriaen van der werff-295743.jpg
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The_adoracion_of_the_shepherds
mk166
1703 I Wave on board 53x36cm Uffizi, Florence
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Shepherd and Shepherdess
new23/Adriaen van der werff-548537.jpg
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Shepherd_and_Shepherdess
1689
Oil on oak panel
58.5 x 47.5 cm (23.03 x 18.7 in)
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Portrait of Anna Maria Luisa de' Medici, Electress Palatine
new24/Adriaen van der werff-983585.jpg
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Portrait_of_Anna_Maria_Luisa_de'_Medici,_Electress_Palatine
ca. 1701
cjr
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Adriaen_van_der_werff
Dutch Baroque Era Painter, 1659-1722
Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
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