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Aeneas and Achates on the Libyan Coast df
DOSSI, Dosso1.jpg
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Aeneas_and_Achates_on_the_Libyan_Coast_df
c. 1520
Oil on canvas, 58,7 x 87,6 cm
National Gallery of Art, Washington
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The Virgin Appearing to Sts John the Baptist and John the Evangelist dfg
DOSSI, Dosso2.jpg
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The_Virgin_Appearing_to_Sts_John_the_Baptist_and_John_the_Evangelist_dfg
1520s
Oil on wood transferred to canvas, 153 x 114 cm
Galleria degli Uffizi, Florence
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Circe and her Lovers in a Landscape sdgf
DOSSI, Dosso3.jpg
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Circe_and_her_Lovers_in_a_Landscape__sdgf
1514-16
Canvas
National Gallery of Art, Washington
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Circe (or Melissa) dfgd
DOSSI, Dosso4.jpg
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Circe_(or_Melissa)_dfgd
c. 1520
Oil on canvas
Galleria Borghese, Rome
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St Cosmas and St Damian dfg
DOSSI, Dosso5.jpg
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St_Cosmas_and_St_Damian_dfg
1534-42
Oil on canvas
Galleria Borghese, Rome
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DOSSI,_Dosso
Italian High Renaissance Painter, ca.1490-1542
Although responsive to a wide range of outside influences, the most important of which were probably those of Giorgione in Venice and Raphael in Rome, he was an artist of great originality with a strong feeling for effects of light and colour. Landscape plays a prominent and highly expressive role in his work. He was employed, as were also the poets Matteomaria Boiardo (?1441-94) and Ludovico Ariosto, at the court of Ferrara, which was internationally renowned for its culture, especially its musical life and collections of art: one of his best-known works is an illustration of a magical scene from Ariosto's poetry,
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