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Astronomy
Laurent de la Hyre1.jpg
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Astronomy
1650
Musee Saint-Denis, Reims
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Abraham Sacrificing Isaac
Laurent de la Hyre2.jpg
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Abraham_Sacrificing_Isaac
1650
Musee des Beaux-Arts, Orleans
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Mercury Takes Bacchus to be Brought Up by Nymphs
new16/Laurent de la Hyre-925263.jpg
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Mercury_Takes_Bacchus_to_be_Brought_Up_by_Nymphs
mk156
1638
Oil on canvas
112.5x135cm
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Abraham Sacrificing Isaac
new19/Laurent de la Hyre-933727.jpg
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Abraham_Sacrificing_Isaac
nn09
1650
Oil on canvas
96.4x121cm
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Allegory of Arithmetic
new24/Laurent de la Hyre-778845.jpg
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Allegory_of_Arithmetic
oil on canvas.
Dimensions 103.6 x 112 cm.
cyf
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Laurent_de_la_Hyre
1606-1656
French Laurent de la Hyre Galleries
He became a pupil of Georges Lallemand and studied the works of Primaticcio at Fontainebleau, but never visited Italy. La Hyre is associated with the transitional period before the introduction of the French Baroque by Simon Vouet.
His picture of Pope Nicholas V opening the crypt in which he discovers the corpse of St. Francis of Assisi standing (located at the Louvre) was executed in 1630 for the Capuchin friars of the Marais; its gravity and sobriety seems to have been influential for the next generation of French painters, particularly Eustache Le Sueur. The Louvre contains eight other works, and paintings by La Hyre are in the museums of Strasburg, Rouen and Le Mans.
Laurent de La Hyre: Perspective (drawing).His drawings, of which the British Museum possesses a fine example, Presentation of the Virgin in the Temple, are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect. The example of the Capuchins, for whom he executed several other works in Paris, Rouen and Fecamp, was followed by the goldsmith's company, for whom he produced in 1635 St. Peter healing the Sick (Louvre) and the Conversion of St Paul in 1637. In 1646, with eleven other artists, he founded the French Royal Academy of Painting and Sculpture.
Richelieu called La Hyre to the Palais Royal; Pierre S??guier, Gedeon Tallemant des R??aux and many others entrusted him with important works of decoration; for the Gobelins he designed a series of large compositions. La Hyre painted also a great number of portraits, and in 1654 united in one work for the town-hall of Paris those of the principal dignitaries of the municipality.
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