Thomas Jones

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 Thomas Jones An Excavation oil painting artist
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     An Excavation
     new25/Thomas Jones-939549.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  An_Excavation
1777(1777) Medium Oil on paper cyf

 Thomas Jones A Wall in Naples oil painting artist
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     A Wall in Naples
     new25/Thomas Jones-463975.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  A_Wall_in_Naples
1782 Medium Oil on paper Dimensions 11.4 x 16cm cjr

 Thomas Jones Penkerrig oil painting artist
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     Penkerrig
     new25/Thomas Jones-977338.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Penkerrig
1772(1772) Medium oil on paper Dimensions 23 x 30,5 cm cjr

 Thomas Jones Thomas Jones and his Family by Francesco Renaldi oil painting artist
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     Thomas Jones and his Family by Francesco Renaldi
     new26/Thomas Jones-757374.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Thomas_Jones_and_his_Family_by_Francesco_Renaldi
Thomas Jones with his family in Italy. 1797. Oil on canvas. National Museum of Wales collections. TTD

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     Thomas_Jones
    Thomas Jones (26 September 1742 - 29 April 1803) was a British landscape painter. He was a pupil of Richard Wilson and was best known in his lifetime as a painter of Welsh and Italian landscapes in the style of his master. However, Jones's reputation grew in the 20th century when more unconventional works by him, ones not been intended for public consumption, came to light. Most notable among these is a series of views of Naples which he painted from 1782 to 1783. By breaking with the conventions of classical landscape painting in favour of direct observation, they look forward to the work of Camille Corot and the Barbizon School in the 19th century. His autobiography, Memoirs of Thomas Jones of Penkerrig, went unpublished until 1951 but is now recognised as a major work of commentary on the 18th-century art world.

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