Maso da San Friano

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 Maso da San Friano Portrait of Elena Gaddi Quartesi oil painting artist
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     Portrait of Elena Gaddi Quartesi
     new25/Maso da San Friano-887834.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_Elena_Gaddi_Quartesi
Date 1550s Medium Oil on wood Dimensions Height: 24 cm (9.4 in). Width: 18 cm (7.1 in). cjr

 Maso da San Friano Portrait of Elena Gaddi Quartesi oil painting artist
 Click Image to Enlarge
     Portrait of Elena Gaddi Quartesi
     new25/Maso da San Friano-496893.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Portrait_of_Elena_Gaddi_Quartesi
1550s Medium Oil on wood cyf

 Maso da San Friano Der Sturz des Ikarus, Oval oil painting artist
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     Der Sturz des Ikarus, Oval
     new25/Maso da San Friano-369766.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Der_Sturz_des_Ikarus,_Oval
1570-1571 Medium oil on panel cjr

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     Maso_da_San_Friano
    (1536-1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence. According to Giorgio Vasari, Maso was a pupil of Pier Francesco Foschi while others claim it was Carlo Portelli. He collaborated with an elder Michelangelo on some projects. His altarpiece of the Visitation was painted in 1560 for the church of San Pier Maggiore of Florence - now in Trinity Hall Chapel, Cambridge, England. A similar work can be seen in the Prato cathedral. After 1561, he painted in the church of Ognissanti, Florence and in the church of Santa Felicita. He participated in the decoration of the Studiolo of Francesco I with an oval canvas relating the Fall of Icarus story (1572). The canvas has an affected milling in individuals below and an anomalous perspective; both are classic features of mannerist painting. His second contribution Mining of Diamonds. A portrait of Ferdinando I de' Medici (1570) by Maso can be found in the Town Council Hall of Prato. He is thought to be one of part of the Contra-Maniera or Counter-Mannerism movement in Florence. His most important pupils were Jacopo da Empoli and Alessandro Fei. One of his paintings, thought to be of Cosimo I de Medici in 1560, is believed to be the oldest to show a watch

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