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Blumen und Fruchte
new24/Jan van Huijsum-689583.jpg
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Blumen_und_Fruchte
1st half of 18th century
Oil on panel
81 X 61 cm
cjr
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Blumen und Fruchte
new24/Jan van Huijsum-869438.jpg
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Blumen_und_Fruchte
Date 1st half of 18th century
Medium Oil on panel
cyf
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of grapes and a peach on a table top
new24/Jan van Huijsum-588649.jpg
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of_grapes_and_a_peach_on_a_table_top
Date 17th century?
Medium oil?
Dimensions ? ?? cm
cyf
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Blumen und Fruchte
new24/Jan van Huijsum-748995.jpg
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Blumen_und_Fruchte
Date 1st half of 18th century
Medium Oil on panel
Dimensions Deutsch: 81 ?? 61 cm
cyf
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Vase of Flowers in a Niche
new25/Jan van Huijsum-648594.jpg
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Vase_of_Flowers_in_a_Niche
between 1720(1720) and 1740(1740)
Medium oil on wood
cyf
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Jan_van_Huijsum
also spelled Huijsum, (April 15, 1682, Amsterdam - February 8, 1749, Amsterdam) was a Dutch painter.
He was the brother of Jacob van Huysum, the son of the flower painter Justus van Huysum, and the grandson of Jan van Huysum I, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter.
Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains.
Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.
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