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Still-Life
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Still-Life
1770
Oil on canvas
49 x 37 cm
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Still-Life
new24/Luis Eugenio Melendez-473379.jpg
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Still-Life
Date 1770
Medium Oil on canvas
Dimensions 49 x 37 cm
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Still Life with Fruit and Cheese
new24/Luis Eugenio Melendez-899395.jpg
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Still_Life_with_Fruit_and_Cheese
Date 18th century
Medium Oil on canvas
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Queen consort of Spain
new24/Luis Eugenio Melendez-759468.jpg
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Queen_consort_of_Spain
1718-1722
Medium Oil on canvas
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Philip V in Hunting Costume
new24/Luis Eugenio Melendez-994647.jpg
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Philip_V_in_Hunting_Costume
February 1712(1712-02)
Medium Oil on canvas
Dimensions 103 x 83 cm (40.6 x 32.7 in)
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Luis_Eugenio_Melendez
(Naples, 1716-Madrid, 1780) was a Spanish painter. Although he received little acclaim during his lifetime and died in poverty, Melendez is recognized today as the greatest Spanish still-life painter of the 18th century. His mastery of composition and light, and his remarkable ability to convey the volume and texture of individual objects enabled him to transform the most mundane of kitchen fare into powerful images.
Luis Egidio Melendez de Rivera Durazo y Santo Padre was born in Naples in 1716. His father, Francisco Melendez de Rivera Diaz (1682- after 1758), was a miniaturist painter from Oviedo who had moved to Madrid with his older brother, the portrait painter Miguel Jacinto Melendez (1679-1734) in pursuit of artistic instruction. Whereas Miguel remained in Madrid to study and became a painter in the court of Philip V, Francisco left for Italy in 1699 to seek greater artistic exposure. Francisco took a special interest in visiting the Italian academies and settled in Naples where he married Maria Josefa Durazo y Santo Padre Barrille. Luis was a year old when his father, who had been a soldier in a Spanish garrison and lived abroad for almost two decades, returned to Madrid with the family. Luis Egidio, his brother Jose Agusten, and Ana, one of his sisters, began their careers under the tutelage of their father, who was appointed the King's Painter of Miniatures in 1725. After several years, in his words: painting royal portraits in jewels and bracelets to serve as gifts for envoys and ambassadors, he entered the workshop of Louis Michel van Loo (1707-1771), a Frenchman who had been made royal painter of Philip V of Spain.
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