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christophwillibald gluck
new21/baron grimm-923968.jpg
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christophwillibald_gluck
mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.
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for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
new21/baron grimm-527552.jpg
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for_act_i_of_gluck_s_opera_orfeo_ed_euridice,_for_a_performance_of_the_french_version_in_moscow
mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897
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Orfeo ed Euridice
new21/baron grimm-458945.jpg
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Orfeo_ed_Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.
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baron_grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
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