henry wadsworth longfellow

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 henry wadsworth longfellow the attributes of music oil painting artist
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     the attributes of music
     new21/unknow artist-485274.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  the_attributes_of_music
mk270 thi paintin by anne vallayer coster, entitled the attributes of music , was complered in 1770, just before the french revolution and the bebinninb of the romantic period in music . the instruments are horn, cornemuse, lute flute and violin.

 henry wadsworth longfellow at the far left of this 15th century oil painting artist
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     at the far left of this 15th century
     new21/unknow artist-533336.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  at_the_far_left_of_this_15th_century
mk270 spanish painting are three singers reading from sheet music accompanied by abnd of six musicians on the righr.

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     henry_wadsworth_longfellow
    1807-C82, American poet, b. Portland, Maine, grad. Bowdoin College, 1825. He wrote some of the most popular poems in American literature, in which he created a new body of romantic American legends. Descended from an established New England family, after college he spent the next three years in Europe, preparing himself for a professorship of modern languages at Bowdoin, where he taught from 1829 to 1835. After the death of his young wife in 1835, Longfellow traveled again to Europe, where he met Frances Appleton, who was to become his second wife after a long courtship. She was the model for the heroine of his prose romance, Hyperion (1839). From 1836 to 1854, Longfellow was professor of modern languages at Harvard, and during these years he became one of an intellectual triumvirate that included Oliver Wendell Holmes and James Russell Lowell. Although a sympathetic and ethical person, Longfellow was uninvolved in the compelling religious and social issues of his time; he did, however, display interest in the abolitionist cause.

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