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The Conquest of Constantinople
new16/Domenico Tintoretto-533463.jpg
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The_Conquest_of_Constantinople
mk157
1578-85
Venice
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Official portrait
new20/Domenico Tintoretto-264673.jpg
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Official_portrait
mk261 Venice about the year 1580 -1590 oil on canvas 126 x 103 cm
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Tancred Baptizing Clorinda
new23/Domenico Tintoretto-588748.jpg
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Tancred_Baptizing_Clorinda
c. 1585
Oil on canvas
168 x 115 cm (66.14 x 45.28 in)
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Tancred Baptizing Clorinda
new23/Domenico Tintoretto-366775.jpg
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Tancred_Baptizing_Clorinda
c. 1585
Oil on canvas
168 x 115 cm (66.14 x 45.28 in)
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Tancred Baptizing Clorinda
new24/Domenico Tintoretto-573654.jpg
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Tancred_Baptizing_Clorinda
Date c. 1585
Medium Oil on canvas
Dimensions 168 X 115 cm (66.14 X 45.28 in)
cyf
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Domenico_Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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