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Sultan Sanjar and the widow
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Sultan_Sanjar_and_the_widow
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illustratin to Nizami s Treasury of Secrets
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Prince Bahram i Gor listens to the tale of the princess of Persia beneath the white pavilion
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Prince_Bahram_i_Gor_listens_to_the_tale_of_the_princess_of_Persia_beneath_the_white_pavilion
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Illustration added by Sultan Muhammad to the manuscript of Nizami
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Sakhr,the rock demon,among other demons shut up in the mountain,leers at the lust between the two ibexes
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Sakhr,the_rock_demon,among_other_demons_shut_up_in_the_mountain,leers_at_the_lust_between_the_two_ibexes
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Details of an illustration by Sultan Muhammad
c.1520-25
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Sultan_Muhammad
Persian Painter, active ca.1505-1550
Persian illustrator. He was apparently a native of Tabriz and spent most of his life there. Contemporary sources suggest that he was at the height of his creative powers in the 1520s and 1530s when he was one of the leading painters in the employ of the Safavid shah Tahmasp. Sultan-Muhammad's documented paintings include contributions to a monumental copy (dispersed, ex-Houghton priv. col.) of Firdawsi's Shahnama ('Book of kings') made for Tahmasp between c. 1524 and c. 1529 and paintings from a copy (divided, New York, Met. and Cambridge, MA, Sackler Mus.) of Hafiz's Divan (collected poems), probably executed between 1531 and 1533. Sultan-Muhammad's paintings for these manuscripts demonstrate how the tradition of western Iranian painting as practised in Tabriz, Shiraz and other centres during the 15th century continued to be significant at the Safavid court .
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