Juan Martin Cabezalero

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 Juan Martin Cabezalero Assumption ofthe Virgin oil painting artist
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     Assumption ofthe Virgin
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
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48x72 120x180 $459 469

 
  Assumption_ofthe_Virgin
mk84 ca.165-70 Madrid,Prado,canvas 237x169cm
 Juan Martin Cabezalero Portrait of Queen Mariana de Austria oil painting artist
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     Portrait of Queen Mariana de Austria
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  Portrait_of_Queen_Mariana_de_Austria
1678 Oil on canvas, 206 x 123,5 cm
 Juan Martin Cabezalero St James the Great in the Battle of Clavijo oil painting artist
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     St James the Great in the Battle of Clavijo
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INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  St_James_the_Great_in_the_Battle_of_Clavijo
1660 Oil on canvas, 231 x 168 cm
 Juan Martin Cabezalero Assumption of the Virgin oil painting artist
 Click Image to Enlarge
     Assumption of the Virgin
     new21/Juan Martin Cabezalero-896244.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 
  Assumption_of_the_Virgin
237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
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     Juan_Martin_Cabezalero
    1633-1673 was a Spanish draftsman and painter. Born in Almaden, he studied under Juan Carreno de Miranda, court painter to Charles II of Spain; Cabezalero lived at Carreno de Miranda's house until 1666. Both he and Carreno were influenced by Van Dyck. Few works by Cabezalero have survived. His surviving works include his St Jerome (1666, Meadows Museum, Southern Methodist University, Dallas) and the Assumption of the Virgin (ca. 1670; Madrid, Prado). The latter had been formerly attributed to Mateo Cerezo, also a pupil of Carreno de Miranda. Antonio Palomino praises Cabezalero's modest, studious nature and laments that he died young.
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