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Crucifixion dgd
EYCK, Jan van1.jpg
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Crucifixion_dgd
1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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Last Judgment sfg
EYCK, Jan van2.jpg
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Last_Judgment_sfg
1420-25
Oil on wood transferred to canvas, 56,5 x 19,5 cm
Metropolitan Museum of Art, New York
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Madonna in the Church dfh
EYCK, Jan van3.jpg
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Madonna_in_the_Church_dfh
c. 1425
Oil on wood, 32 x 14 cm
Staatliche Museen, Berlin
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Stigmatization of St Francis df
EYCK, Jan van4.jpg
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Stigmatization_of_St_Francis_df
1428-29
Oil on wood, 12,5 x 14,5 cm
Philadelphia Museum of Art, Philadelphia
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Portrait of a Goldsmith (Man with Ring) dfg
EYCK, Jan van5.jpg
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Portrait_of_a_Goldsmith_(Man_with_Ring)_dfg
c. 1430
Wood, 16,6 x 13,2 cm (without frame)
Romanian National Museum, Bucharest
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EYCK,_Jan_van
Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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