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Marquise d' Hervey Saint-Denys
Raimundo de Madrazo Y Garreta_jZRZiG.jpg
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Marquise_d'_Hervey_Saint-Denys
1888
4' 4 3/4'' x 2' 8 3/4''(134 x 83 cm)Bequest of Mrs.d'Adelsward-Pourtales,1934
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A Gypsy
new3/Raimundo de Madrazo y Garreta-222353.jpg
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A_Gypsy
mk61
Oil on canvas
65x49cm
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The Model Aline Masson with a White Mantilla
new3/Raimundo de Madrazo y Garreta-268298.jpg
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The_Model_Aline_Masson_with_a_White_Mantilla
mk61
Oil on canvas
65x52cm
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Versailles, le jardin du Roi
new23/Raimundo de Madrazo y Garreta-583997.jpg
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Versailles,_le_jardin_du_Roi
1914-1920
Oil on canvas
17 x 30 cm
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Kostanjevica
new26/Raimundo de Madrazo y Garreta-845977.jpg
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Kostanjevica
1930(1930)
Medium oil on canvas
Dimensions 54.6 X 65.8 cm
cyf
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Raimundo_de_Madrazo_y_Garreta
Spanish realist Painter , 1841-1920
Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,
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