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Gersaint s Shop Sign
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Gersaint_s_Shop_Sign
mk53
1720-1
Oil on canvas
166x306cm
Berlin,Schloss Charlottenburg
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The rest in the flight to Egypt
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The_rest_in_the_flight_to_Egypt
mk166
1715 I Wave on cloth 129x98cm Museum of the Ermitage,
San Petersburgo
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Figures from the Italian Commedia dell arte
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Figures_from_the_Italian_Commedia_dell_arte
mk234
probably 1720
63x76cm
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avfarden till kythera
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avfarden_till_kythera
mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
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gilles
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gilles
mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
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Jean_antoine_Watteau
French Rococo Era Painter, 1684-1721
He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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