George Price Boyce.RWS

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 George Price Boyce.RWS Black Poplars at Pangbourne (mk46) oil painting artist
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     Black Poplars at Pangbourne (mk46)
     new2/George Price Boyce.RWS-676698.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Black_Poplars_at_Pangbourne_(mk46)
1868 Watercolur 36.8x53.3cm

 George Price Boyce.RWS Night Sket ch of the Thames near Hungerford Bridge oil painting artist
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     Night Sket ch of the Thames near Hungerford Bridge
     new3/George Price Boyce.RWS-462869.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Night_Sket_ch_of_the_Thames_near_Hungerford_Bridge
c 1866 Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in) Tate Gallery London (mk63)

 George Price Boyce.RWS Elgiva oil painting artist
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     Elgiva
     new24/George Price Boyce.RWS-453459.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Elgiva
oil on canvas Private Collection Date 1855 cyf

 George Price Boyce.RWS At Binsey near Oxford oil painting artist
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     At Binsey near Oxford
     new26/George Price Boyce.RWS-755969.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  At_Binsey_near_Oxford
A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm. cyf

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     George_Price_Boyce.RWS
    1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies

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