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A Panoramic View of Hunworth (mk46)
new2/Anthony Frederick Augustus Sandys-574743.jpg
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A_Panoramic_View_of_Hunworth_(mk46)
c.180
Watercolour
26.7x41.9cm
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Morgan Le Fay (Queen of Avalon)
new4/Anthony Frederick Augustus Sandys-424992.jpg
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Morgan_Le_Fay_(Queen_of_Avalon)
1864, oil on canvas.
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Mary Magdalene
new24/Anthony Frederick Augustus Sandys-773493.jpg
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Mary_Magdalene
Mary Magdalene, Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
cjr
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Mary Magdalene
new24/Anthony Frederick Augustus Sandys-637943.jpg
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Mary_Magdalene
Oil on wood panel, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
Deutsch: Maria Magdalena, Öl auf Holz, Samuel and Mary R. Bancroft Memorial (Delaware Art Museum)
Date c. 1858-60
cyf
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Anthony_Frederick_Augustus_Sandys
1829-1904
English painter, illustrator and draughtsman. He was the son of Anthony Sands (1804-83), a minor local artist. He began his artistic education with his father and attended the Norwich School of Design from 1846. His precocious talent was recognized by the award of silver medals by the Society of Arts in 1846 and 1847. He moved to London in 1851, when he first exhibited at the Royal Academy, but he continued to spend time at Norwich until the death of his parents in 1883. After publishing in 1857 A Nightmare, a gentle caricature of John Ruskin and his Pre-Raphaelite prot?g?s William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti and based on Millais's Sir Isumbras at the Ford (Port Sunlight, Lady Lever A.G.), he met Rossetti and became a member of his circle.
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