Frederick Arthur Bridgman

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 Frederick Arthur Bridgman Fete du Prophete au cimetiere de Blidah (mk32) oil painting artist
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     Fete du Prophete au cimetiere de Blidah (mk32)
     new8/Frederick Arthur Bridgman-599765.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Fete_du_Prophete_au_cimetiere_de_Blidah_(mk32)
huile sur toile signee et datee 1900 65 x 54 cm Coll part

 Frederick Arthur Bridgman Interior of an Algerian House,Biskra (mk32) oil painting artist
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     Interior of an Algerian House,Biskra (mk32)
     new8/Frederick Arthur Bridgman-854755.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Interior_of_an_Algerian_House,Biskra_(mk32)
(Interieur d'une maison algerienne a Biskra) huile sur toile,signee et datee 1881 72.5 x 104 cm Anc Mathaf Gallery Londres

 Frederick Arthur Bridgman Femme faisant boire des chevaux (mk32) oil painting artist
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     Femme faisant boire des chevaux (mk32)
     new8/Frederick Arthur Bridgman-399773.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Femme_faisant_boire_des_chevaux_(mk32)
huile sur toile signee et datee 1921 62 x 90 cm Galerie Berko Knokke-le-zoute et Paris

 Frederick Arthur Bridgman Interior of a Biskra Cafe, Algiers. oil painting artist
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     Interior of a Biskra Cafe, Algiers.
     new21/Frederick Arthur Bridgman-378785.gif
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Interior_of_a_Biskra_Cafe,_Algiers.
1884. Oil on canvas. 27 x 44 in. (68.5 x 111.7 cm ). Courtesy Vance Jordan Fine Art Inc.., NY.

 Frederick Arthur Bridgman A Challenging Moment. oil painting artist
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     A Challenging Moment.
     new21/Frederick Arthur Bridgman-899867.gif
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  A_Challenging_Moment.
Oil on canvas. 19 x 25 in. (48.25 x 63.5 cm). Private Collection.

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     Frederick_Arthur_Bridgman
    American Painter, 1847-1928 was an American artist, born in Tuskegee, Alabama. An American Southerner, born in Tuskeegee, Alabama, the son of a physician, Bridgman would become one of the United States' most well-known and well-regarded painters and become known as one of the world's most talented "Orientalist" painters. He began as a draughtsman in New York City, for the American Bank Note Company in 1864-1865, and studied art in the same years at the Brooklyn Art Association and at the National Academy of Design; but he went to Paris in 1866 and became a pupil of Jean-Leon Gerôme. Paris then became his headquarters. A trip to Egypt in 1873-1874 resulted in pictures of the East that attracted immediate attention, and his large and important composition, The Funeral Procession of a Mummy on the Nile, in the Paris Salon (1877), bought by James Gordon Bennett, brought him the Cross of the Legion of Honor. Other paintings by him were An American Circus in Normandy, Procession of the Bull Apis (now in the Corcoran Gallery of Art, Washington, D.C.), and a Rumanian Lady (in the Temple collection, Philadelphia, Pennsylvania). In 1867, Bridgman entered the studio of the noted academic painter Jean-Leon Gerôme (1824-1904), where he was deeply influenced by Gerôme's precise draftsmanship, smooth finishes, and concern for Middle-Eastern themes. (Bridgman would even become known as "the American Gerôme.") No mere imitator, however, Bridgman would later adopt a more naturalistic aesthetic, emphasizing bright colors and painterly brushwork. Bridgman made his first trip to North Africa between 1872 and 1874, dividing his time between Algeria and Egypt. There he executed approximately three hundred sketches, which became the source material for several later oil paintings. Additional visits to the region throughout the 1870s and 1880s allowed him to amass a collection of costumes, architectural pieces, and objets d'art, which often appear in his paintings. (Amusingly, John Singer Sargent noted that Bridgman's overstuffed studio, along with the Eiffel Tower, were Paris's must-see attractions.) Though Bridgman maintained a lifelong connection to France, his popularity in America never waned. Indeed, in 1890, the artist had a one-man show of over 400 pictures in New York's 5th Avenue galleries. When the show moved to Chicago's Art Institute, it contained only 300 works - testimony to the high number of sales Bridgman had made.

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