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Departure of thte OrientCircularQuay (nn02)
new7/Charles conder-253294.jpg
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Departure_of_thte_OrientCircularQuay_(nn02)
1888
Oil on canvas
17 3/4x19 3/4"
Purchased 1888
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Holiday at Mentone (nn02)
new7/Charles conder-896428.jpg
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Holiday_at_Mentone_(nn02)
1888
Oil on canvas
18 1/4x24"
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Springtime (nn02)
new7/Charles conder-922766.jpg
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Springtime_(nn02)
1888
Oil on canvas
17 3/5x23 1/4
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Yarding Sheep (nn02)
new7/Charles conder-953274.jpg
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Yarding_Sheep_(nn02)
1890
Oil on canvas
14x22 1/16"
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Departure of the SS Orient from Circular Quay
new3/Charles conder-325646.jpg
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Departure_of_the_SS_Orient_from_Circular_Quay
1888
Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in)
Art Gallery of New South Wales,Sydney (mk63)
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Charles_conder
English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
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