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Fairy Dance in the Alder Grove (mk09)
new6/Moritz von Schwind-583998.jpg
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Fairy_Dance_in_the_Alder_Grove_(mk09)
c 1844
Oil on panel,62.8 x 84 cm
Frankfurt am Main,Stadelsches Kunstinstitut
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Fairy Dance in the Alder Grove (mk22)
new7/Moritz von Schwind-589242.jpg
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Fairy_Dance_in_the_Alder_Grove_(mk22)
c 1844
Oil on wood panel,62.8 x 84 cm
Frankfutr am Main.Stadelsches Kunstinstitut und Stadtische Galerie
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A Hermit Leading Horses to the Trough (mk22)
new7/Moritz von Schwind-383672.jpg
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A_Hermit_Leading_Horses_to_the_Trough_(mk22)
c 1845
Oil on wood panel,46.7 x 38.5 cm
Munich,Bayerische Staatsgemaldesammlungen,Schack-Galerie
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Fairy Dance in the Alder Grove
new9/Moritz von Schwind-996796.jpg
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Fairy_Dance_in_the_Alder_Grove
mk87
c.1844
Oil on panel
62.8x84cm
Frankfurt am Main,Stadelsches Kunstinstitut
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The Rose,or The Artist-s Journey
new12/Moritz von Schwind-759672.jpg
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The_Rose,or_The_Artist-s_Journey
mk138
1846/47
Oil on canvas
216x134cm
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Moritz_von_Schwind
Austrian Romantic Painter, 1804-1871
Austrian painter and illustrator. He studied at the Akademie der Bildende K?nste in Vienna (1821-3), where he was influenced by the Biedermeier genre painter Peter Krafft and the Nazarene painter Ludwig Ferdinand Schnorr von Carolsfeld. He made copies after the Old Masters at the Belvedere in Vienna, exploring especially D?rer, Albrecht Altdorfer, Raphael and Titian, which completed his early, largely autodidactic experience of art. His friendship with Franz Schubert, the poet and playwright Franz Grillparzer and the painters Ferdinand and Friedrich Olivier, as well as the cultural environment of Biedermeier Vienna in his years there between 1823 and 1828, shaped his spiritual development as a painter. His love of music inspired his later 'symphonic' compositions and flowing linear rhythms. Extensive reading of the work of Romantic writers such as Achim von Arnim, Clemens von Brentano, Ludwig Tieck, Friedrich Heinrich von Hagen and the brothers Jacob and Wilhelm Grimm helped prepare his mature pictorial themes of fairytales, legends and sagas. He was unsuccessful as a painter and eked out a meagre livelihood by drawing naturalistic genre scenes for engravers, while occasionally selling a painting. Walk before the City Gate
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