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The Education of Achilles by the Centaur Chiron (mk05)
new6/Baron Jean-Baptiste Regnault-375299.jpg
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The_Education_of_Achilles_by_the_Centaur_Chiron_(mk05)
1782
Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
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The Threrr Graces (mk05)
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The_Threrr_Graces_(mk05)
1793
Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)
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The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
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The_Origin_of_Painting:_Dibutades_Tracing_the_Portrait_of_a_Shepherd
1785
Oil on canvas,
120 x 140 cm
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The Genius of France between Liberty and Death
new16/Baron Jean-Baptiste Regnault-843457.jpg
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The_Genius_of_France_between_Liberty_and_Death
1795
Oil on canvas,
60 x 49 cm
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The Three Graces
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The_Three_Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
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Baron_Jean-Baptiste_Regnault
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
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