SALUCCI, Alessandro

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 SALUCCI, Alessandro Harbour View with Triumphal Arch g oil painting artist
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     Harbour View with Triumphal Arch g
     new1/SALUCCI, Alessandro1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $89   $99
20x24 50x60   $109   $119
24x36 60x90   $139   $159
30x40 75x100   $169 $199
36x48 90x120   $249 $249
48x72 120x180 $459 469

 

  Harbour_View_with_Triumphal_Arch_g
c. 1650 Oil on canvas, 81 x 126 cm Rijksdienst Beeldende Kunst, The Hague

 SALUCCI, Alessandro father of domenico and a noted composer in his own right. oil painting artist
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     father of domenico and a noted composer in his own right.
     new21/SALUCCI, Alessandro-572826.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  father_of_domenico_and_a_noted_composer_in_his_own_right.
mk270 father of domenico and a noted composer in his own right.

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     SALUCCI,_Alessandro
     Italian painter, Roman school (b. 1590, Firenze, d. 1655/60, Roma). Italian painter. He specialized in imaginary architectural perspectives and harbour views, in which the figures were executed by other artists, most notably Jan Miel and Michelangelo Cerquozzi. His pictures were praised by contemporary and near contemporary writers, including Carlo Malvasia, and during the 17th century were popular with private collectors in both Florence and Rome. However, many of the paintings mentioned in contemporary sources remain untraced. He is first documented in Rome in 1628, when, with Andrea Sacchi and Pietro da Cortona, he worked on the fresco decorations of the Villa Sacchetti (now Chigi), Castelfusano (nr Ostia), to which he contributed personifications of the River Nile and the River Rh?ne (in situ). He became a member of the Accademia di S Luca in Rome in 1634, and after 1635 he was engaged on frescoes (in situ) depicting sacred subjects in S Maria in Vallicella, Rome. From the mid-1630s onward Salucci collaborated with Miel on the imaginary architectural subjects for which he is best known, including the Perspective with Portico

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