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Prophet Eliseus and the Woman of Sunem f
EECKHOUT, Gerbrand van den1.jpg
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Prophet_Eliseus_and_the_Woman_of_Sunem_f
1664
Oil on canvas, 110 x 155 cm
Museum of Fine Arts, Budapest
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Prophet Eliseus and the Woman of Sunem (detail) dg
EECKHOUT, Gerbrand van den2.jpg
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Prophet_Eliseus_and_the_Woman_of_Sunem_(detail)_dg
1664
Oil on canvas
Museum of Fine Arts, Budapest
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Portrait of a Family fg
EECKHOUT, Gerbrand van den3.jpg
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Portrait_of_a_Family_fg
1667
Oil on canvas, 85 x 100 cm
Museum of Fine Arts, Budapest
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Presentation in the Temple fh
EECKHOUT, Gerbrand van den4.jpg
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Presentation_in_the_Temple_fh
1671
Oil on wood, 59 x 48,5 cm
Museum of Fine Arts, Budapest
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Scholar with his Books fgh
EECKHOUT, Gerbrand van den5.jpg
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Scholar_with_his_Books_fgh
1671
Oil on canvas, 64,5 x 49 cm
Museum of Fine Arts, Budapest
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EECKHOUT,_Gerbrand_van_den
Dutch Baroque Era Painter, 1621-1674
Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and 'a great friend' as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout's (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour.
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