John Robert Cozens

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 John Robert Cozens Between Chamonix and Martigny oil painting artist
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     Between Chamonix and Martigny
     John Robert Cozens1.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  Between_Chamonix_and_Martigny
c1776/79

 John Robert Cozens between chamonix and martigny (nn03) oil painting artist
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     between chamonix and martigny (nn03)
     new8/John Robert Cozens-897469.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  between_chamonix_and_martigny_(nn03)
c 1776/79 Watercolour on paper 43.5 61.6 cm 17 1/8 x 24 1/4 in Private collection

 John Robert Cozens south gate of sargans oil painting artist
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     south gate of sargans
     new23/John Robert Cozens-699683.jpg
INCHES CM High Quality Museum Quality
16x20 40x50   $65   $69
20x24 50x60   $85   $89
24x36 60x90   $129   $139
30x40 75x100   $139 $149
36x48 90x120   $209 $209
48x72 120x180 $389 399

 

  south_gate_of_sargans
1776 watercolour 23.4x35.6cm se

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     John_Robert_Cozens
    British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.

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