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Tanaquil, Wife of Lucomo
Domenico Beccafumi1.jpg
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Tanaquil,_Wife_of_Lucomo
c1520
National Gallery, London
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San Bernardino of Siena Preaching (mk05)
new5/Domenico Beccafumi-762375.jpg
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San_Bernardino_of_Siena_Preaching_(mk05)
Wood,13 x 20''(33 x 51 cm).one of three panels of the same predella acquired in 1966
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St Anthony and the Miracle of the Mule (mk05)
new5/Domenico Beccafumi-883723.jpg
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St_Anthony_and_the_Miracle_of_the_Mule_(mk05)
Wood 13 x 20''(33 x 51 cm)One of three panels of the same predella caquired in 1966
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St Francis Receiving the Stigmata (mk05)
new5/Domenico Beccafumi-539935.jpg
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St_Francis_Receiving_the_Stigmata_(mk05)
Wood,13 x 20''(33 x 51 cm).One of three panels of the same predella acquired in 1966
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The Holy Family with the Young St.John
new3/Domenico Beccafumi-944566.jpg
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The_Holy_Family_with_the_Young_St.John
mk65
Oil on panel
32 3/4in
Uffizi,
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Domenico_Beccafumi
c1486-1551
Domenico Beccafumi Gallery
Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.
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